Art design

NSW Local Rhythms and Actions Art Gallery Invites Neighbors


Until earlier this year, Sarah Samuels hadn’t even set foot in the Art Gallery of New South Wales – despite living a stone’s throw away.

“It sounds silly because I live just across the road,” she says. “It wasn’t something I thought I would like. I thought that was boring.

Today, after participating in an innovative project called Local rhythms and actionsthe 29-year-old Woolloomooloo resident can’t get enough of the place.

Sarah Samuels et Maya Sheridan-Martinez avec <i>No sleep till Dreamtime by Reko Rennie.” src=”$zoom_0.092%2C$multiply_0.4431%2C$ratio_1.5%2C$width_756%2C$x_0%2C $y_0/t_crop_custom/q_86%2Cf_auto/e4578f22f1bad5ae588fa3398fc50573a1bcb662″ height=”224″ width=”335″ srcset=”$zoom_0.092%2C$multiply_0.4431%2C$ratio_1 .5%2C$width_756%2C$x_0%2C$y_0/t_crop_custom/q_86%2Cf_auto/e4578f22f1bad5ae588fa3398fc50573a1bcb662,$zoom_0.092%2C$multiply_0.8862%2C$ratio_1. 5%2C$width_756%2C$x_0%2C$y_0/t_crop_custom/q_62%2Cf_auto/e4578f22f1bad5ae588fa3398fc50573a1bcb662 2x”/></picture></div><figcaption class=

Sarah Samuels and Maya Sheridan-Martinez with Reko Rennie’s No sleep until Dreamtime.Credit:Anna Kucera

“My whole view of art has changed,” she says. “Everything in the art gallery is just amazing. It’s not just the art that’s here, it’s what it does to you. You can look at works of art and they will transport you to the I had no idea it would feel like I was in an art gallery.

Earlier this year, the gallery appealed to residents of Woolloomooloo to co-curate an exhibition about their community. Eleven people answered the call and participated in a series of workshops to select the works to be included. They were also able to explore behind the scenes and find out how the gallery operates as a leading art institution.

The resulting show is a refreshing and eclectic exhibition that includes paintings, prints, photographs, video installations and sculptures by artists such as Reko Rennie, Shaun Gladwell and Jeff Koons.


The project was coordinated by the gallery’s music and community curator, Jonathan Wilson, who helped lead the workshops with Nick Yelverton.

“It was basically round tables, deciding as a group what we were looking for, and then trying to facilitate finding those key themes,” he says. “Themes were popping up, whether it was sports, music, culture, street art, Indigenous words or prominent Indigenous works, and then we kind of searched together.

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